April 15, 2016 § Leave a comment
It’s not that I’ve stopped knitting. Quite the opposite, as I realized when I recently moved house, and 90% of my belongings were either knitted or knitting-related.
But I’ve been branching out into the wonderful world of embroidery, and with my recent addiction to The Adventure Zone, a hilarious D&D podcast with three brothers and their dad (and a half-real spectral unicorn called Darryl) came a truly inspirational cross-stitch to hang in my apartment.
So without further ado, here’s the
Abraca-fuck-you cross-stitch (right-click, save)
August 11, 2011 § Leave a comment
People, I have good news and bad news. The bad news is: I’ve had the second part of the Mitten saga mostly done and in draft form for about a month, and with handing in my Bachelor’s thesis, the urge to procrastinate and write 1700 words on mitten cuffs has sort of evaporated. I’ll try and get to it sometime soon, I promise.
The good news is: not only did I get the Gryffindor mittens as far as I wanted to in time for Adam, but it was a very good thing I didn’t entirely finish them: I had to rip back the tips and add almost 2 cm to each hand to make them fit. I can’t even imagine the pain of unpicking the woven-in ends and splicing new yarn to the whole shebang.
The best news is: within two hours of arriving in Leipzig in the middle of the night (i.e. 6.42 am) last Friday, Adam had learned the knit stitch, and over the next days proceeded to knit like a madman, first on a little green garter stitch practice swatch, then on a project that made not only me go ‘holy shit, now that’s one hell of a first project!’: Susie’s Reading Mitts. Even with substituting the picot edge for a more manly straight edge, those mitts have it all: working in the round on DPNs, knit, purl, increase, decrease, yarn over, counting rows, fixing mistakes, casting on and binding off, sewing a hem down on the wrong side… and probably a couple of other things.
When knitters will have taken over the world, I’ll have done my part. Nobody spends more than a couple of hours here without at least trying a couple of knit stitches, but to say that he took to it like a fish to water is sort of an understatement.
I remain suitably impressed, as I wistfully glance in the vague direction of my abomination of a holey, green cotton garter stitch first-time scarf…
But yeah. Apart from showing him around the city (and boy, did I go all-out on that. I think the walking tour around the city center took a good three hours), I tried imparting as much knitting wisdom as I could: from how to use stitch markers to the brilliance that is the Yarn Harlot, from medieval knitting guilds to the boyfriend sweater curse, from how to wind yarn cocoons to washing your woolens, from the story behind the Spanish Armada shawl to how to spend more time on Ravelry looking at patterns instead of actually getting any knitting done. Although come to think of it, he didn’t need all that much instruction for that last bit…
I also took him for an afternoon at Annelie’s, where I quickly plied my yarn and then proceeded to coo over the baby and tell her the story of Bilbo and the thirteen dwarves, switching between English and German every time I was distracted or needed for some light interpreting, because I could never remember which language I’d started off with. My sanity didn’t take too well to the constant language mix – it’s a good thing I’m not becoming an interpreter after all. But spinning always makes the confusion a bit better. (Also, shininess.)
Anyway. I had a wonderful time, and I hope he did as well. There’s a slightly upsetting lack of photos, since he doesn’t have a camera and I seem to have very localized dementia when it comes to gadgets, but I made sure to get at least a couple of us, over the roofs of Leipzig.
And let me just say: I’ve never had quite as much alcohol in as short a time period as the last week. Holy moly.
June 9, 2011 § 7 Comments
(A short note before we start: if there’s anyone here who just wants to read the pattern notes or snag the chart, scroll down and click ‘read the rest of this entry’)
Blog, I have a confession to make: there’s a secret I’ve kept from you. Well, I’ve dropped the odd reference to a super secret project here and there, but fact is: the downside of knowing that people actually read your blog is that people actually read your blog, and if you want to keep a secret it’d be counterproductive, to say the least, to put it in your blog.
The thing is, I’m usually a terrible secret keeper. I guess I’d rank only marginally lower on the Most Inept Secret Keepers than Peter Pettigrew, because I love hinting and making other people anticipate whatever it is I’m planning that they can never know about. But this time, I kept my trap shut all the way; I’m seriously proud of myself. Neither I, nor Saskia with whom I collaborated on this, lost a syllable of what was going on. And it was really, really hard, because as the astute among you might have noticed, I’m slightly obsessed with knitting, and yarn, and when I love a project all I want to do is to post photos every other row to document my progress. I usually rein myself in just in time to spare you that painstakingly boring ordeal, but if you can’t tell anyone, the temptation becomes almost unbearable. But I persevered!
And now, you may wonder, what was this secret project?
It was a baby blanket. And it’s one of the most gorgeous things I have ever knit. Which is only fair, considering it’s going to the most adorable baby I have ever seen.
I started knitting on April 21, but the plan to make a baby blanket is a bit older, and developed somewhere around the time we came back from Berlin. I’d found this gorgeous two-color geometric border in a Greek mosaic in a museum, and I kind of wanted to make this double-knit blanket with the border chart I’d created from the photos. This project, ultimately, fell through for two reasons: a) making the blanket in the 6-ply sock yarn I’d planned to use would’ve cost me well over €60, and b) I realized the baby was due the end of May, and the last thing it was going to need was a double-knit wool blanket.
So I put my blanket plans on the back burner and started on BSJs and hats and bootees like a madwoman, and it was all well until after our road trip to the Hamburger Wollfabrik, when Saskia purchased a cone of gorgeous, cream-colored cashmere/merino/silk yarn. And two weeks later, when she was on vacations with her parents, I found the perfect pattern: Quilt (Square Counterpane with Leaves) (or here for non-Ravelry folks), a gorgeous Victorian lace blanket knit in fingering-weight yarn, made in separate squares and sewn together, with a border that was picked up around the edge. This meant short rows and portability (at least for the middle section), and also that Saskia and I would be able to knit at the same time.
So I, and I’m not particularly proud to admit this, snuck over into Saskia’s room, grabbed the cone, slithered back into my room humming the ‘Mission Impossible’ theme, and cast on the first square. And finished that in about a day, then, without breaking the yarn and with every intention of ripping the thing back if she didn’t want to go along with it, I wrote Saskia an email with a photo attached and an explanation of what the hell I was doing with her yarn, and spent about a day agonizing about having to wait for her reply.
Fortunately, she loved it, and contributed not only the yarn and ribbon, but also a couple of squares and a row or two of the border. And even better for her, there’s enough yarn left over for her to make the shawl she’d planned for the yarn as well.
I was a bit anxious that we wouldn’t get done in time – what if the child came before the due date? – but my worries proved to be unfounded, to say the least: instead of two weeks too early, little Anna was overdue by more than a week.
And today, we got to meet her, coo over her, and finally give a still slightly groggy and sore but glowing-with-pride-and-happiness Annelie two bags filled to the brims with two jackets, three hats, a large blanket-pal rabbit with a truly enormous red bow tie (that one’s Saskia’s), several pairs of bootees, a bundle of mini-skeins of back-up yarn in case of accidents, and last but definitely not least, the blanket.
(approx. 300 g of Hamburger Wollfabrik 50% cashmere, 35% wool, 15% silk 3-ply yarn, on 3 mm needles. Final measurements, approx. 1.20 m x 1.20 m. One square weighs about 22 g.)
I’d originally intended it to be something to wrap the baby in, or a pram cover, but somehow it turned out to be this huge, enormous thing that comfortably covers mother and child from shoulder to toes while nursing, which is, you know. Not the worst use for a blanket.
Although I have a feeling I’ll regret my offer to wash and block it much sooner this way. Ah, the miracle of life.
Now, I have extensive notes on the miracles you can achieve with some yarn and an array of 3 mm needles, but I’ll put it behind a cut to spare those who aren’t prepared for 700 words of tips and annotations. That’s the kind of benevolent dictator I am.
May 22, 2011 § Leave a comment
Yesterday I knit a hat and a pair of socks.
It isn’t every day you get to say that, and this absolutely instant gratification is one of the reasons I’ve been bitten by the baby bug big time. Apart from alliterations, this induces major squee from all sides and even more frantic work that’s resulted in two jacket-hat-bootees outfits that are both as heartbreakingly cute as they are quickly knit. Also, being able to squeeze a whole matching set out of one ball of yarn? Is pretty fantastic, not to mention frugal.
However, before I start showing off my super-cute baby knits at length, I’d like to say a word about casting off. (Not a tutorial though; there are people who do that far better than I ever could, e.g. TECHknitting.)
Now, I’m a relatively loose knitter, which is why it always comes as a surprise to me that I’m a fairly tight binder-offer. This surprise is usually coupled with a tedious undoing of the cast-off edge, which is why I switched to the ssk-bind-off as a standard bind-off, i.e. [k2, * insert left needle into stitches on the right needle, perform the ‘k’ part of ssk, k1, repeat from *], and I’ve never had to worry about a too-tight cast-off ever since. But last night, I came across something I didn’t think I’d ever see in my life.
A cast-off that was too loose.
I was making Saartje’s Booties, which, by the way, are the manifestation of cute – except that the first one didn’t come out quite as cute as the ones in the pictures. Which was a shame, really, because we’re after all talking about bootees that are supposed to look like this:
Anyway, in a rare moment of maturity I decided not to blame the pattern, but instead wondered whether it was maybe my fault. And also, because these things take two hours at most to whip up, I decided that I could always make three. And it turns out that what I got was this:
That’s the first bootee on the bottom and the second one on the top. They’re identical except for the cast-off method. It doesn’t look like that big a difference, doesn’t it? Those couple of millimeters the cast-off was looser (and looser is better, right? Right?!) should barely be visible.
Well, let me show you the two of them side-by-side.
So, what do we learn from this, I wonder? Well, first, trust your instincts. If it looks too loose, it probably is too loose. Second, sometimes the simplest approach is the right one. And third, for future reference: If a pattern goes to the length to specify a cast-on or cast-off, by god, listen.
Anyway, so this is what the rest of the outfit looks like:
That’s the BSJ I made back in March, then a Heartbreakingly Cute Pilot Cap from Knitting Outside The Lines (to keep in lines with the origami theme, albeit not with the garter stitch), and to finish it off, Saartje’s Booties (sans buttons). It’s all very plain, cute in its simplicity and clean lines (or so I like to think), and in a rather dreamy Scottish wool/linen blend I got in Berlin. I still have what feels like 25 g or so left, which is always nice.
And that’s the other one! I’m not usually one to mix crafts – mostly because I hate crochet with a fiery passion that hasn’t abated much with work on this set, but it was totally worth it. This set’s even tri-craftual, with a bit of (very basic) embroidery thrown in just for kicks.
Or tetra-craftual, if you count making Dorset buttons. Which, by the way, are super-fun, dirt-cheap, easy to make, always a perfect match for your yarn, and very well explained in this tutorial.
I might have mentioned the Heart Hat that gave me so much trouble – mostly because I’m a dolt who can’t read patterns – but it turned out rather well in the end, and I’m quite enchanted by it. It’s hopelessly anachronistic in its bonnet-style, but at least I didn’t make the one with the hilariously padded ruffle. (Now that I think about it, I might have to make that one though. I already pity the kids I might have someday.)
And, of course, the wee shoesies. Those are rather ingenious, if I may say so myself – they’re mostly regular socks, except they’re knit flat (because I hate garter stitch in the round) and near- invisibly seamed up along the side.
So, yeah. It’s all slightly ridiculous and probably much too warm for the coming summer months, and by the time the weather will be appropriate, the kid will have almost certainly grown out of them. But I’ve had the pleasure of making them, and oh, what a pleasure it’s been.
Now excuse me, I have some booties I’d like to cast on like a madwoman.
Amongst our weaponry are such diverse elements as: fear, surprise, ruthless efficiency, an almost fanatical devotion to the Pope, and nice red uniforms – Oh damn!
March 24, 2011 § 4 Comments
I’ve been taking full advantage of the beautiful spring weather. It’s been a balmy 15°C with lots of sun and barely a cloud in the sky, so yesterday while I had the Armada pinned out on my bed I went to the park with Saskia, to soak up sun and eat delicious Middle Eastern snacks while wearing a skirt, a t-shirt and ballerinas. After we had enough of the park we had coffee in front of our favorite café just around the corner from our house, and I didn’t even mind going back home because this is what greeted me when I stepped into my room.
Turned out it blocked out to slightly bigger than 1.20m, but I could pin the slack down on the side of the mattress. Thank god for the aluminum rods! Using them on all four sides would’ve been too fiddly (not to mention the injuries I probably would’ve suffered from tripping over the two protruding bits) but two sides was perfect.
What I love about lace, apart from the general and obvious gorgeousness, is how small it folds. Even hairsprayed into oblivion (I’m paranoid when it comes to blocking and like to fixate with a bit – or half a can – of hairspray before pulling out the pins), it was still barely bigger than my Moleskine calender.
And then today, I grabbed Saskia by the hair and dragged her down to the canal and forced her at gunpoint to model the shawl for me. I might have been more of an asking-nicely thing than brutal blackmail, but, y’know. Anything for a dramatic hyperbole.
Anyway, she did a beautiful job, and oh my, I’m so in love with this yarny monstrosity. It’s like the Big Green Monster v.2. I don’t even know how to wear it. But it’s amazing.
So this is it. Spanish Armada by MMario with an edging by Utlinde (I’d love to link to the PDF, but I got it from her personally and it’s neither in her nor in Mmario’s patterns). This shawl measures approximately 127 cm by 127 cm (about 4’2″ by 4’2″) and was knit in 81 days with an entire skein of Filatura di Crosa Centolavaggi (100% merino, 1400m/100g, color 151), mostly on 3mm bamboo needles. I say mostly because for the last quarter of the edging, I gradually switched down to a 2.25mm DPN and one 3mm tip of the circ because yarn was getting scarce and I was getting scared.
In the end, I was more than glad I went down a couple of sizes because I finished with nothing at all left over and a half-corner that consists of about half the short rows normally required. ‘Tight squeeze’ doesn’t even come close. I spent about a week frantically weighing and re-weighing the little ball of yarn that got even smaller at an alarming rate, and the adrenaline rush when I just barely made it had me woozy for at least half an hour.
I cast on with Fleegle’s Cast-On For Circular Shawls, which is insanely difficult if you do it wrong and a revelation once you hold the yarn the way you’re supposed to.
[UPDATE: I saw that people have been searching my blog for a good way to cast on for this, and I’d like to add that while Fleegle’s Cast-On is awesome and I’ve used it many times to great success, TECHknitting has a disappearing loop cast-on that works the same way, only you can cast on an even number of stitches, eliminating the need to sneak an increase in somewhere.]
Modifications: I added one ‘leaf’ repeat to the Print o’ the Wave. I wish the chart had lined up so I could’ve changed some of the k2tog to ssk to get nicely defined lines like in the edging, but spilled milk and all that. I think I added about a repeat and a half to the English Mesh just for the heck of it, and skipped the very last chart in favor of the sideways edging. It was originally for a triangular shawl, so I stared with the middle row of the corner chart after the provisional cast-on. After the first corner was unsatisfyingly loose in the middle, I started to wrap & turn and do a [pick up wrap, k2tog] row instead of the charted middle row for the other corners and they came out much, much better. I had to fudge away a couple of stitches here and there and I’m pretty sure the amount of scallops is different on each side, but there’s enough of them for me not to be too bothered by that. The entire edging took 35g, but with two or three grams more there would’ve been a lot less stress and a much smaller number of shortcuts.
Now that it’s all nice and blocked, the ratio between the Print o’ the Wave and the English Mesh doesn’t seem as off as it did pre-blocking, for which I am intensely grateful. At times, the only thing that kept me from ripping back half the edging, the Mesh and the extra repeat of the Print o’ the Wave was the fact that I was on an already tight schedule, and it turns out it works just fine like this.
I think this has been my most challenging project to date. This was partly due to the pattern being difficult to grasp intuitively, so that I had to work each row with intense concentration and even more intense counting. But although I’d knit lightweight lace before, I’d never worked with yarn that fine before: my usual lace yarns run somewhere around 600m/100g, and even Misti Alpaca Lace is only 800m/100g, which is still 600m less than the Centolavaggi. The thing that had worried me most, the >800-stitch-long rows towards the end, ended up being the least of my concerns. I’m not a patient person by nature, but with lace I can scrounge up a surprising amount of the stuff. Also Centolavaggi is a thoroughly enjoyable yarn to work with, I’m intensely glad I have another skein (apple green this time) in my stash. I guess since lace shawls are relatively impractical by nature (compared to, say, socks), I turn into somewhat of a process knitter when working on them, whereas with socks I have the biggest trouble psyching myself up for the heel because it takes so long.
Now, after all this serious!knitter stuff, for the most famous reindeer of all:
March 22, 2011 § 11 Comments
Warning: this post contains a thorough bitching-out of a pattern. on the plus side, shawl pictures!
The trouble with resolving to wait with blogging until something has happened is that knitting is such a slow type of magic that sometimes it takes forever for something blogworthy to happen. Especially with lace, the progress feels huge but it would have been perfectly tedious to constantly update you with pictures like this one:
No, really guys! I totally just finished another repeat of the badly-charted Print o’ the Wave!
But the miracle has happened: today is not only the second day of spring, but also the day I finished my Spanish Armada Shawl (aka Fear and Surprise, Surprise and Fear). It was the first thing cast on in 2011, it’s given me tons and tons of grief over the course of the last three months, and after a week and a half of hair-raising, paranoid border knitting that drove me to the brink of insanity, it’s DONE.
I’ll be blocking it tomorrow, and preliminary, cursory pinning experiments suggest that it’s just barely small enough to be blocked on my 1.20 m (4′) wide bed. I can’t wait! But at the same time I’m extremely glad I have my aluminum rods for blocking, because bending over for an hour to individually pin down all those scallops (on four sides no less) isn’t exactly my idea of a fun day, if you catch my drift.
I’ll hopefully be posting beauty shots of the blocked shawl tomorrow or the day after, so let me voice my nagging here and now:
The finished shawl is gorgeous. Truly stunning, a joy to look at and touch and fawn over. It is, however, not remotely as fun to knit. In fact I’d rather pull my own teeth out than knit this, or any other pattern by MMario again. This is not because the different patterns that make up this shawl (Spanish Tile, Print o’ The Wave, English Mesh Lace) are particularly challenging, although the Spanish Tile is certainly a smidge tricky at times, mostly because it patterns on each row.
The problem with this shawl isn’t construction errors, or tons of misprints in the pattern. It’s the terrible, terrible charts. If you can even call them that. I realize I’m being harsh, and I’m sure the author has put a lot of effort into this design. I know charts can be tricky, especially if the beginning of a repeat shifts, like with Print o’ the Wave.
But here’s the thing: to me, as a knitter, the main purpose and the biggest advantage of charts is that they show what the knitting is supposed to look like. How everything lines up. How it all fits together to make a congruent whole. To enable me to spot knitting errors at a glance and to spare me the frantic re-counting and wondering if what I’m doing is right or if I have to tink back the entire 800-stitch row.
And these “charts” don’t. Or rather, the last two of them do, and the one I did was a simple 6-stitch two-row mesh lace, and, yeah, I could’ve done that from written directions. The rest is just basically the written instructions rendered in symbols, including brackets to indicate things like (k2tog, yo, k1) 3x – although the author substitutes k2tog with N in the written directions for apparently no reason at all, and yo with O. (At least that one got a laugh out of me, because there’s tons of KOK in the pattern and I let myself be immature enough to grin at that.) Also, rows that are knit plain aren’t shown, except when they are, and if you’re anything like me and pay much more attention to the actual rows than the row numbers, that means tinking back a perfectly executed lace row because there’s supposed to be another two plain rounds in there somewhere.
My point being, the charts manage to completely miss the entire point of charts, which is probably an achievement in and of itself.
The Spanish Tile being tricky to chart I can understand, because the stitch count fluctuates hugely between rows and it would probably ridiculously complicated to get that into a coherent chart. But the botched Print o’ the Wave chart? Really? Seriously? Chart-making isn’t that hard. Especially for a pattern that’s been done about thirty zillion times since the dawn of time, where you could go and look at somebody else’s chart to see how they did it. As, by the way, evidenced in the exponentially better edging chart by Utlinde, where it suddenly all makes sense and is easy to commit to memory.
I’d love to rate this in Ravelry, but I honestly have no idea which criteria to use. Is the result gorgeous? You bet it is. Even if I threw off the ratio a bit by making the Print o’ the Wave longer, which wedges a relatively narrow piece of English lace between that and the edging, but I can deal with it and it’s my own fault anyway. But the charts are catastrophically bad, to a point where I’d rate it somewhere in the ‘pretty difficult’ range but then again the patterns themselves aren’t difficult per se, but just, y’know, badly charted.
So that’s that. Spanish Armada, baby.
In related news, I turned 22 recently and among other things got amazing handmade gifts from Annelie. She sewed me a fleece-lined green cowl that I’m sad to probably have to put away until fall – the weather has been absolutely stunning – but the best thing ever is the knitting bag she made me. I’ve been using it for Armada, but I’ll certainly get a lot of wear out of it.
It’s such a clever design: one short handle you can twist, and a long one to stick through the loop. Snag-free due to a pronounced absence of zippers and buttons, reversible (the inside is plain green to match the cowl!), and just the right size for a shawl or scarf project, or maybe half a sweater depending on the yarn.
I’ll be casting on an orange scarf for choir once I’m finished blogging, so that’ll go nicely with the green. This bag shares the title of best birthday present ever with the pie dish I got from Saskia. Looks like I’m up for the Housewife Awards again this year.